Memória, identidades e ancestralidade como possibilidade do estudo de história em sala de aula

Jakub presents an extensive ethnographical-sociological study of the life of the Ruthenians, filmed in the Maramuresh mountains in the north of Romania and in the former Sudetenland in Western Bohemia. The film was made over a period of five years during the time of both totalitarian regimes and was completed in 1992 after the revolution.

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

When Ariel was just 33, his legs were shredded by an industrial dough mixer in Mendoza, Argentina. He became a living embodiment of the ongoing duel between man and machine. From that point on, he began to rediscover the meaning of freedom: to rebuild his broken identity, keep his family together and design his own prosthetic legs. Following Ariel for 10 years from the time of the accident, director Laura Bari has created an intimate and metaphorical portrait of Ariel’s newfound transhumanity, juxtaposing his daily life with dreamlike inner worlds—and pushing the boundary between the real and the imaginary.

Segregation, abandonment, and the meaning of home are discussed by the people that lived in, worked at, and crusaded for one of the largest and oldest Intellectual and Developmental Disability Institutions in the United States. The facility, in its closing, challenged society's perception of those with intellectual disabilities and ultimately fought for better rights.

Forty years before WikiLeaks and the NSA scandal, there was Media, Pennsylvania. In 1971, eight activists plotted an intricate break-in to the local FBI offices to leak stolen documents and expose the illegal surveillance of ordinary Americans in an era of anti-war activism. In this riveting heist story, the perpetrators reveal themselves for the first time, reflecting on their actions and raising broader questions surrounding security leaks in activism today.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

Born to Fly pushes the boundaries between action and art, daring us to join choreographer Elizabeth Streb and her dancers in pursuit of human flight.

A fearless sea captain, Dr. Rebecca Gomperts, sails a ship through loopholes in international law, providing abortions on the high seas, and leaving in her wake a network of emboldened activists who trust women to handle abortion on their own terms.