Den of Thieves 2 Pantera 2025 - Movies (Feb 26th)
Red One 2024 - Movies (Feb 25th)
Heretic 2024 - Movies (Feb 25th)
Hellboy The Crooked Man 2024 - Movies (Feb 25th)
Eric Clapton Unplugged… Over 30 Years Later 2025 - Movies (Feb 25th)
Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Kraven the Hunter 2024 - Movies (Feb 25th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Live PD Presents- PD Cam - (Feb 27th)
Reacher - (Feb 27th)
INVINCIBLE - (Feb 27th)
Hollywood Squares - (Feb 27th)
Tipping Point - (Feb 27th)
The Challenge- All Stars - (Feb 27th)
All Elite Wrestling- Dynamite - (Feb 27th)
NOVA - (Feb 27th)
Secrets of the Dead - (Feb 27th)
The Last Word with Lawrence ODonnell - (Feb 27th)
Expedition Bigfoot - (Feb 27th)
The Kardashians - (Feb 27th)
School Spirits - (Feb 27th)
All In with Chris Hayes - (Feb 27th)
The Rachel Maddow Show - (Feb 27th)
Guys Grocery Games - (Feb 27th)
Izzy Does It - (Feb 27th)
The work of taxonomists hides more secrets than can be perceived.
A witty, forthright dive into the wonderful world of boobs by singer and filmmaker Elizabeth Sankey - from enhanced boobs to 'free the nipple', bras, Baywatch, and the stars of reality TV.
Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.
Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.
"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.