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Ultimately, _The Childe_ continues the South Korean trend of refreshing character driven thrillers that are on completely different levels than the typical Hollywood film. With a neo-noir bent expertly crafted to highlight the exquisite performances of its cast and the absolutely breathtaking bloodshed of its action sequences, not to mention Seon-ho’s overwhelmingly enjoyable performance as quite possibly the coolest character of 2023, _The Childe_ is a true masterpiece of violence. **Full review**: https://bit.ly/boxerwoes
A standard action Korean flick, if it weren't for the scarce elevated violence it wouldn't have been as watchable. The writer seems to be slipping a bit too much for what would have been obvious. The main character is a boxer and that's how we were introduced to him but being a boxer didn't play any role into the narrative. There were many other examples of that. More often than not, whenever a character is trying to act "cool" it came across as cheesy since there is a clear lack in world building and character development.
The Childe offers up yet another action crime thriller gem, from South Korea. There's a darkly devilish quality to the back story, that's married up with brutal, fast paced action and a dysfunctional humour that, placed in this context, is inappropriately, appropriate. In summary, fast paced, engaging, with a wickedly dark back story and humour, that simply works. A must watch.
Loosely based on the criminal career of Frank Lucas, a gangster from La Grange, North Carolina, who smuggled heroin into the United States on American service planes returning from the Vietnam War, before being detained by a task force led by Newark Detective Richie Roberts.
A dopey runner for a front Laundromat loses a bag of money. Now it's a race against the clock to get money back and save himself.
A spouse discovers her better half's savage room style unsettling and she begins to think about whether he's undermining her, and when this makes her waver into the edge of mental issues, she is "spared" by her male specialist companions with whom she starts an undertaking.
An ambitious reporter and his cameraman attempt to get their big break by venturing into the mountains by themselves to get in touch with a group of rebels. But what they find leads them into a living nightmare, as the very limits of their humanity are tested.
Helmut and Sabine Halm have always managed vacations of lazy privacy at their favorite retreat on Germany′s Lake Constance. So when the energetic, handsome Klaus Buch turns up with his beautiful girlfriend Helene, Helmut is quite ready to dismiss this dimly familiar acquaintance. But Klaus is overjoyed to recognize his old schoolmate Helmut, eager to recall every incident of their shared time, and to display every detail of this successful lifestyle as a fit sportsman and author. The precious days of privacy give way to an unwanted and awkward intimacy, as the Buchs and the Halms hike, dine and sail together. Their joint activities aggravate myriad psychological tensions among the four characters, which are all the more intensely ironic for their peaceful veneer and which must eventually erupt.
Both Danny Stein and Tony Vilachi are drug lords in a struggle to gain control of the same territory. Jonathan and Mickey are ex-cons who come in wearing white hats and attempt to settle the dispute.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.
Several people start receiving voice-mails from their future selves - messages which include the date, time, and some of the details of their deaths.
Walker investigates a murder connected with a missing government weapon. In addition, he tries to track down a teen on the run from a crime syndicate.
Gabrielle Maple works in a dusty desert gas station-café, but yearns for the life of an artist in France, knowing there must be something finer than the provincial dead-end she is trapped in. A hitch-hiking writer, the disillusioned Alan Squier, appears and revitalizes her dreams of a better place, and finds his own sense of worth refreshed by this vital young girl. When Duke Mantee and his gang, wanted killers, show up and take hostages, Gabrielle falls in love with the poetic Alan, and Squier begins to see a way to give Gabby the life she deserves.