A Corte do Norte

A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.

A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.

An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Set off the West Coast of Canada in 1965, a hip new teacher with a miniskirt and lots of ideas turns a small town upside down. The soft autumn light of Galiano Island is beautifully rendered in writer/producer Peggy Thompson's The Lotus Eaters, and that's not the only elusive element that this film has captured. In revisiting its particular time and place - the Gulf Islands of the early '60s -Thompson obviously draws on her own family experiences there. For those who share Thompson's love of Gulf Islands magic, the elements she has assembled will feel as familiar as their own childhood blanket. But there are problems at the core of this story about a family's loss of innocence.

Two brothers develop a very close relationship as they are growing up in an idyllic and happy family. When they are young adults their relationship becomes very intimate, romantic, and sexual.

Wallace is an efficiency expert, managing the high-profile downsizing of a major auto parts factory. But when he is hired to evaluate a small moccasin factory which seems from another era, Wallace has to reconsider the rapid modernization he advocates, as he is confronted by the human faces such plans hurt.

An ordinary boy named Michael is going through some extraordinary changes in his life. His family has just moved into an unfamiliar house, and his brand new baby sister has fallen ill. One day, while cleaning out the garden shed, he stumbles across something mysterious, a strange creature huddled in the corner; weak of body but strong of will. This is Skellig.

During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.