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The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
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The Traitors- Uncloaked - (Jan 17th)
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Eeeehhhhh! I still don't know how to feel about this, and it's been a decade since I first watched it. And then there is the bias that will certainly seep through. I really hate the DNC in 2018...but in the '00's and still today, well, W. was to me what Nixon was to Hunter S. Thompson. There is literally no president I like less than W. So excuse the bias that may pop up here, I try to keep politics out of these in this insanely political age. So, on one hand (and I have been ripping into Stone lately) this is a SOLID Oliver Stone film. Unlike Snowden and World Trade Center, it actually has what you expect from an Oliver Stone film. And I can't not like that. Agree with Stone's politics or not...you go to see an Oliver Stone film because he can leave his mark on it...and this has that mark. So you can sit down and watch it and have that clear "I'm watching an Oliver Stone movie" feeling, and that is always enjoyable when you can do that. But then, it's been a decade since its release and that kind of mutes it. When it came out in 2008, W was still in office and just going to see it made you proud to be an American. Hardly any other country would allow someone to release a film critical of the CURRENT leader while he was still in office. It gave you a great "this is what makes America great" feeling, "this is what puts us above the rest of the world. Thank you Oliver Stone." But, it's been a decade, so you don't get that feeling from watching it now. You don't feel compelled to buy your ticket, and then go back and see it again to celebrate the 1st Amendment. And because of that, a decade later, it kind of makes you feel that it should have been released now instead of then. A decade later you remember the people that were celebrating in the streets when he was finally out. You remember that sense of relief that NOT Bush was in office. You remember the Obama victory...you remember the St. Paul horror, and the sense that the DNC could have run a rotting corpse and won. And then, after you remember all of that, you get the feeling that it would have made a better ending if Stone just waited a year to make the film. But despite all of that, it was a fair film. It was balanced (unlike this review) and that's probably because of what my late father used to say, he hated W. as a president, but felt he'd like him as a person. Which, unfortunately, is an attitude you're regrettably not allowed to have today. But that doesn't change the fact that you still feel like you are watching an Oliver Stone movie. It doesn't change the feeling of pride you got by going to see W. in the theaters when it was released. It doesn't change the fact that it is still a good movie...even if it's a better movie for the people that are old enough to remember it.
"W." is a film that delves into the presidency of George W. Bush, showcasing the historical significance of every individual who holds the highest office in the United States. The movie suggests that every president deserves a biography that captures their time in office, regardless of their successes or failures. Josh Brolin delivers a standout performance as George W. Bush, despite initial skepticism about his casting in the role. He effectively embodies the essence of Bush, portraying him as a somewhat goofy and party-loving figure who may not have taken his political responsibilities seriously at first. The film sheds light on Bush's journey to the presidency, depicting his struggles and personal growth leading up to the events before 9/11. It offers a captivating insight into Bush's term in office, particularly his decisions regarding going to war during his first term. Overall, "W." is a film that exceeds expectations and is worth watching for its portrayal of a complex political figure.
Retired police lieutenant Al Giardello is running for mayor when he is suddenly shot at a press conference. All of the detectives, past and present, clamor for an opportunity to help find the shooter.
A powerful drama of soaring ambition and shattered dreams that takes a provocative insider's look at the way the USA goes to war—as seen from inside the LBJ White House leading up to and during the Vietnam War.
The first U.S.-made film drama set during the Iraq war, THE SITUATION chronicles the tragic death of an Iraqi teenager at the hands of U.S. soldiers. The incident sets off an "investigation," a cover-up, and complications involving Iraqi mayor Sheikh Tahsin (Saïd Amadis), who has a complex relationship with the Americans.
Cold War tensions climb to a fever pitch when a U.S. bomber is accidentally ordered to drop a nuclear warhead on Moscow.
At a summit for Latin American presidents in Chile where the region's geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures political and family drama that will force him to face his own demons.
In 1981, Islamic Republic intelligence agents work to track down MEK operatives trying to assassinate Iranian officials in the aftermath of the resignation of President Banisadr.
Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.
A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.
BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time. Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.
What started as a simple tomb became over a 2,000 years history the universal seat of Christendom and is today one of the most visited museum in the world with invaluable collections of Arts, Manuscripts, Maps. Using spectacular 3D modelisation and CGI to give viewers as never before a true understanding of the history of this architectural masterpiece and its extensions, the film will also use animation to tell relevant historical events. This heritage site reveals new untold secrets with the help of historians deciphering the Vatican’s rich archives and manuscripts collection and following the restorations at work (newly discovered frescoes by Raphael) and recent excavations. A story where Religion, Politics, Arts and Science meet to assert religious authority and serve as a spiritual benchmark.
A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.