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Though he's not top-billed here, I found it's Fernando Rey who delivers best in this brutal and authentic-looking story of trans-Atlantic drug smuggling. Popeye (Gene Hackman) and his pal Russo (Roy Scheider) are detectives in New York determined to bring down a network of cocaine importers who are bringing the lucrative white powder in from Marseille. They suspect that it's Charnier (Rey) who is masterminding the whole enterprise, but they can't pin anything down on him. He hides in plain sight, clad in cashmere with a distinctive hat and dining in fine establishments - but always beyond their grasp. He almost teases the increasingly frustrated policemen who stray ever closer to the line as they try to apprehend him. Will either of them ever crack? Hackman is on great form as the exasperated cop and the drip-roast effect of the plot development from director William Friedkin makes that even more potent, especially when coupled with the flagrant nonchalance of his quarry, with a powerful score from Don Ellis and one of the best city car chases you'll ever see on a big screen. Scheider does enough, and there are also quite a few effective supporting contributions from the likes of Ann Rebbot as Mme. Charnier and from the odious henchman "Nicoli" (Marcel Bozzuffi). Gradually we are exposed to the ruthlessness of both sides as the stakes become higher, life becomes cheap, and the denouement again offers us a degree of palpable realism as no simple or convenient solutions are provided. It's a quickly paced and gritty representation of life amidst a culture of addiction, dependency and quite a fair degree of innovation that's still as strong today as it was in 1971.
A bank security expert plots with a call girl to rob the safety deposit boxes of three very different criminals from a high-tech bank in Hamburg.
Claire Gregory, an upper class New York personality, witnesses a murder in a luxurious nightclub. Detective Mike Keegan, recently promoted, is assigned to protect her.
Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose $250,000, they are set up to kill each other. But they run off to Atlantic City and comedy follows.
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
John, a disillusioned Vietnam War journalist, turns to heroin smuggling. He cons Ray, an equally burnt out veteran into delivering the drugs stateside to his wife. Everything soon falls apart and Ray ends up on the run with John's wife trying to evade crooked narcotics agents.
In coastal Cornwall, England, during the early 19th Century, a young woman who's come there to visit her aunt, discovers that she's married an innkeeper who's a member of a gang of criminals who arrange shipwrecking and murder for profit.
A hired killer from Cleveland has a job to do on a second-string mob boss in New York. But a special girl from his past and a fat gun dealer with pet rats get in his way.
New Orleans has the No. 1 per capita murder rating in the nation. A decade earlier, the city was dubbed the "Murder Capital of the Country". Drugs and violence controlled the streets, taking a toll on the city's law enforcement, neighborhoods, and its people. "Death Toll" illustrates this dark chapter in the city's history.
After surviving an attempt on his life by his former partner, officer Cliff Garrett (Norris) exacts revenge on those who wronged him by going undercover as a hit man. He works to gain the reputation and trust needed in order to be accepted by the burgeoning Seattle-area criminal underworld, but it is all done in order to take it down from within.
Devout Catholic detective Peter Nicholas investigates a series of murders around New York City, perpetrated by men who claim that God told them to do it. After the police department denies any religious underpinnings to the murders and suspends him, Nicholas begins to connect the murders to a messianic cult figure in town.