復活

Driven to the wilderness to bury the key to a horrible secret, a harried scientist is confronted by his own gruesome creation. Based on excerpts from Mary Shelley's Frankenstein, this atmospheric and moody short film is a haunting look at what rules us.

Jonás and Raquel live in the field. Their life is happy and in harmony with the envoronment. One day, Néstor, Jonás's brother, visit them. He's captain in a fishing boat that has docked in a near village. Néstor told her brother the wonderful life in the sea, all money that he has won and the adventures that he has lived. Jonas decides go with him although Raquel doesn't accord. Comic book adaptation "Poor Sailor " by Sammy Harkham.

After ten years of marriage, a woman decides to tell her husband about her libertine past. A cascade of revelations follows, all as unexpected as they are funny.

'...is unsuitable for any man's love.' (Xi Xi, A Woman Like Me) Sum-yin patches up wounds, masks scars and performs other beautician services that, when done well - as she always does - bring comfort to her and appreciation from grateful families. But inside she's hurting. Her job as a mortuary cosmetologist makes her self-conscious about the smell of death that seems to be seeping through and under her skin and looming over her stagnant relationship with Kwan, her oblivious boyfriend. No amount of cigarettes and perfume and cleaning will rid of it. At some point, a decision has to be made.

Starring Jeremy Irons in a one-man drama, adapted from a Dostoevsky short story by Murray Watts. In his dream, the Man visits an unspoilt Garden of Eden.

Adapted by Yasumi Toshio and directed by Toyoda Shiro, this is a literary work based on a full-length novel of the same name published by Shiga Naoya of the Shirakaba School.

Two leading computer scientists work toward their goal of Technological Singularity, as a radical anti-technology organization fights to prevent them from creating a world where computers can transcend the abilities of the human brain.

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

The film is a Bolshoi Ballet version of Leo Tolstoy’s Anna Karenina with choreography by Maya Plisetskaya who also took on the titular role. Anna Karenina is a young wife of an older husband. She has an affair with the handsome Count Vronsky. By following her desires Anna complicates her life.

We all carry our leaves, some of winter, some of spring and summer. But all leaves grow, breathe and wither with time; and so do we.

Patricia Highsmith's haunting story of a day in a young girl's life when a kind stranger comes to town.