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**A shame.** If “Dragonheart” managed to make an impact and assert itself as an iconic epic adventure, the same cannot be said of its sequels. In the review I wrote for the initial film, I spoke a little about its popularity and impact… and when a film achieves this effect, it already makes a series of sequels designed to “milk the cow” and monetize the success obtained. This was the first sequel, and it was so weak that it would have been better not to exist. We already know that sequels are rarely as good as the original movies (although we can name several examples of sequels as good or better than the originals), but this movie is so weak and had such a limited budget that I have doubts about the real effort. from the studio to bring the project to a successful conclusion. The most praiseworthy and redeeming aspects of this film reside in some of its technical characteristics. In fact, the film has a good soundtrack (in good part a recycling of the first film's musical themes) and tries its best to be fun, engaging, friendly and enjoyable for the whole family. There's plenty of humor, although the jokes don't always work: burning flatulence or drool dripping over a human are situations we've seen before on film, and much better. Everything else is woefully weak: the script, based on an implausible prophecy and a dragon's egg left behind by Draco, is rather weak and riddled with problems; there are several action-packed scenes, but almost all of them are overly choreographed, imaginative and uninteresting, plus the climax was clearly cobbled together in a hurry. The sets and costumes also suffer from the excesses of imagination applied to the script, turning the Middle Ages into Middle Earth, or almost. There are clearly problems with the lack of good taste in the design of some sets and costumes. The film used CGI and computer effects quite intensively, both for the castles and the dragon itself. Its use, however, should have been more punctual, since nothing is real, and we clearly understand that. I, for one, don't remember seeing many movies with such clearly fake and amateurish CGI and effects! There are also pacing problems, which reveal faulty editing and many shortcomings in the post-production work. About the actors, I can only say that we shouldn't hope for miracles. We are dealing with a very weak cast, with weak talent and little able to shine. The main character is the CGI-created dragon, but despite Robby Benson's good voice work, he's a jerk. The best interpretations are by Christopher Masterson and Harry Van Gorkum. Masterson is the classic hero and Gorkum is the Machiavellian villain. What unites them? Both are crooks.
Franklin Shepard is a talented Broadway composer who abandons his theater career and all his friends in New York in order to produce films in Los Angeles. The story begins at the height of his Hollywood fame and moves backwards in time, showing snapshots of the most important moments in Frank’s life that shaped the man he is today.
Carefree single guy Charlie Waters rooms with two lovely prostitutes, Barbara Miller and Susan Peters, and lives to gamble. Along with his glum betting buddy, Bill Denny, Charlie sets out on a gambling streak in search of the ever-elusive big payday. While Charlie and Bill have some lucky moments, they also have to contend with serious setbacks that threaten to derail their hedonistic betting binge.
Muscle-bound Ator and his mute Asian sidekick travel from the ends of the Earth to save his aged mentor from the evil mustachioed Zor.
All of the Clow Cards have been captured, and Sakura Kinomoto, the new Master of the Cards, is preparing to play the lead in the play for the town festival. However, a new evil force is causing mysterious events all over Tomoeda, including the disappearance of Sakura's cards. With Syaoran's help, Sakura must figure out the cause of these events, and save her town.
A grissled cop with tendencies towards excessive force teams up with an ambitious and righteous prosecutor to track down a dangerous crime boss whom they both want desperately to catch. But their quarry resorts to devious methods to stall their investigation and eventually turn them against each other. Now the stage is set for a dangerous triangle.
The films chronicle the story of four very close friends Mahadevan, Govindan Kutty, Appukuttan, and Thomas Kutty.
A young and beautiful female teacher starts working in an all boys high school.
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
An android fighting-machine is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his "creators" develop a more powerful android to try and defeat him.