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**Hopkins and Attenborough in an emotional and feeling-filled work.** When I decided to see this movie, I knew little about the life of the writer C. S. Lewis, who I only knew from having written the books "The Chronicles of Narnia". And I confess that, in order to fully understand the film and also be able to write something about it, I had the curiosity and interest to read one thing or two about him. For example, I was very impressed by his deep connection to the university and his closeness to J. R. R. Tolkien, who is also the author of a great work of fiction. In fact, thinking about it, it is interesting to see how their works share a lot of points of contact, subtle similarities. But that's a thing for another review. The film focuses on Lewis' life and, especially, on his love relationship with his American wife, Joy Gresham. Lewis was an academic, philosopher and theologian who left many works on these topics, and who unexpectedly decides to marry a recently divorced American, in a union that only later gave way to love between them. The film was inspired by a play, which in turn was inspired by the texts that Lewis wrote about what he experienced and felt. The best thing about the film, for me, is the direction and the cast performance. The director, Sir Richard Attenborough, was known for his attention to detail, cinematography and choice of locations. Considered by many to be one of the great British film directors, this film leaves us with a work full of elegance and beauty, but which seems to be largely forgotten these days, undoubtedly deserving more attention. The cast, in turn, is expertly led by Debra Winger and Sir Anthony Hopkins, a duo of actors of great quality and talent. Hopkins does deeply emotional work, in which we can see that he tried to employ a lot of feeling as well as intellect. Winger didn't impress me that much, but the great quality of her work is undeniable, especially in the moments when she plays with Hopkins or with her fictional son, played by a young boy, Joseph Mazello, who also deserves praise for a job well done. The rest of the cast gives the protagonists the necessary support, but does not stand out or stand out. The film was filmed in Oxford, and we can see how Attenboroug tried to take advantage of the original places, where Lewis would have been and that he surely knew, such as the university and academic spaces. The film gives us an aroma of the atmosphere of the old and renowned institution, and of some of the ceremonies and traditions that take place there. The cinematography is very beautiful and makes the best use of light, close-ups, landscapes and the beauty of old buildings. There are no great effects here, nor does the film need that, but we have an effective soundtrack.
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
A sprawling drama centered on five key days in a family's life.
London, England, on the eve of World War II. Guinevere Pettigrew, a strict governess who is unable to keep a job, is fired again. Lost in the hostile city, a series of fortunate circumstances lead her to meet Delysia LaFosse, a glamorous and dazzling American jazz singer whose life is a chaos ruled by indecision, a continuous battle between love and fame.
A sumptuous and sensual tale of intrigue, romance and betrayal set against the backdrop of a defining moment in European history: two beautiful sisters, Anne and Mary Boleyn, driven by their family's blind ambition, compete for the love of the handsome and passionate King Henry VIII.
Joe Pendleton is a quarterback preparing to lead his team to the superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he wasn't ready to die, and that his body has been cremated. A new body must be found, and that of a recently-murdered millionaire is chosen. His wife and accountant—the murderers—are confused by this development, as he buys the L.A. Rams in order to once again quarterback them into the Superbowl.
A fateful night in 1959, four people die when the bus they are riding crashes. They continue as ghosts; their souls become eternally entwined to the life of a child born at the moment of their deaths as his guardians. Baby Thomas grows up to be a businessman who has memories of his playmates, but assumes they are products of his youthful imagination. When the ghosts realize they need Thomas' help to move on to the afterlife, they decide to make an appearance once more.
Two competitive friends, fueled by literary aspirations and youthful exuberance, endure the pangs of love, depression and burgeoning careers.
Manel, a physicist working on his PhD thesis, accidentally fall in love with Elena, a young model and aspiring actress.
Michelle and Allen, who have reached the point in their relationship where they are considering next steps, decide to invite their parents to finally meet and to offer some understanding of why marriage works. Except the parents already know each other quite well, which leads to some very distinct opinions about the value of marriage.
A small group of friends battle to survive in the middle of the forests and fjords of Norway. The story is based on Norwegian legend thought to be innocent folklore.
A Jewish brothel owner attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student.
