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Love Hurts 2025 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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The One Show - (Mar 29th)
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**Hopkins and Attenborough in an emotional and feeling-filled work.** When I decided to see this movie, I knew little about the life of the writer C. S. Lewis, who I only knew from having written the books "The Chronicles of Narnia". And I confess that, in order to fully understand the film and also be able to write something about it, I had the curiosity and interest to read one thing or two about him. For example, I was very impressed by his deep connection to the university and his closeness to J. R. R. Tolkien, who is also the author of a great work of fiction. In fact, thinking about it, it is interesting to see how their works share a lot of points of contact, subtle similarities. But that's a thing for another review. The film focuses on Lewis' life and, especially, on his love relationship with his American wife, Joy Gresham. Lewis was an academic, philosopher and theologian who left many works on these topics, and who unexpectedly decides to marry a recently divorced American, in a union that only later gave way to love between them. The film was inspired by a play, which in turn was inspired by the texts that Lewis wrote about what he experienced and felt. The best thing about the film, for me, is the direction and the cast performance. The director, Sir Richard Attenborough, was known for his attention to detail, cinematography and choice of locations. Considered by many to be one of the great British film directors, this film leaves us with a work full of elegance and beauty, but which seems to be largely forgotten these days, undoubtedly deserving more attention. The cast, in turn, is expertly led by Debra Winger and Sir Anthony Hopkins, a duo of actors of great quality and talent. Hopkins does deeply emotional work, in which we can see that he tried to employ a lot of feeling as well as intellect. Winger didn't impress me that much, but the great quality of her work is undeniable, especially in the moments when she plays with Hopkins or with her fictional son, played by a young boy, Joseph Mazello, who also deserves praise for a job well done. The rest of the cast gives the protagonists the necessary support, but does not stand out or stand out. The film was filmed in Oxford, and we can see how Attenboroug tried to take advantage of the original places, where Lewis would have been and that he surely knew, such as the university and academic spaces. The film gives us an aroma of the atmosphere of the old and renowned institution, and of some of the ceremonies and traditions that take place there. The cinematography is very beautiful and makes the best use of light, close-ups, landscapes and the beauty of old buildings. There are no great effects here, nor does the film need that, but we have an effective soundtrack.
Kijima and Kuzumi, showing the problems they face as they try to move forward in their lives, and how they drift apart while still yearning to be together. A story of love and life, and fantasies and failures of a novelist and his lover.
John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.
An embittered woman seeks escape in marriage, only to fall for her husband’s best friend.
Cowboys Beauregard Decker and Virgil Blessing attend a rodeo in Phoenix, where Decker falls in love with beautiful cafe singer Cherie. He wants to take Cherie back to his native Montana and marry her, but she dreams of traveling to Hollywood and becoming famous. When she resists his advances, Decker forces Cherie onto the bus back to Montana with him, but, when the bus makes an unscheduled stop due to bad weather, the tables are turned.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Adah and Aaron are recovering addicts who are struggling to stay sober. After meeting in their psychoanalyst’s waiting room, they fall in love, relapse on poppers, and become the biggest assholes in New York City.
When talented young writer Elizabeth Wurtzel earns a scholarship to Harvard, she sees it as her chance to escape the pressures of her working-class background and concentrate on her true talent. But what starts out so promising leads to self-destructive behavior and paralyzing depression that reflects an entire generation's struggle to navigate the effects of divorce, drugs, sex, and high expectations.
Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.
After his daughter persuades him to move into a new apartment, aged widower Fred strikes up a friendship with his eccentric 74-year-old neighbour Elsa, who convinces him it's never too late to keep enjoying life. Although he seemed resigned to a miserable bedridden existence, Fred embraces Elsa's youthful enthusiasm as she introduces him to the path of life and entertains him with outlandish stories about her past life. But when he discovers Elsa's terminally ill, Fred decides to accompany her on the trip of her dreams to the eternal city of Rome to help her fulfil a lifelong ambition.
Two first-year students at Oxford University join a secret society and learn that their reputations can be made or destroyed over the course of one evening.