Joan Mitchell, une femme dans l'abstraction

A one-of-a-kind cinematographic experiment. A grotesque fairy tale, staged in the real lives of the characters. A completely self-produced movie, designed and directed by two visual artists, with the purpose of telling the tale of Artaserse, a retired worker, boxer, trainer and life-long painter. Everything is staged in an industrial, now decadent Terni; like a steel bay without the sea, here it's difficult to dream about becoming an artist. This movie is like a suburban western movie; the boxer and the painting dancing the communal square dance together, in life and death, the meeting-match between Artaserse and an allegorical and remorseless art world, and more generically, the battle of all the colorful characters, appearing throughout.

A dramatization of the life of the acclaimed American musician, Prince, who died from an accidental overdose at the age of just 57 in 2016.

Multi-talented, Paul Newman is one of the greatest American actors of all time. With his silhouette of a Greek statue and his unreal blue eyes, he embodied the quintessential Hollywood star. But he never seemed satisfied. The son of a Jewish sporting goods retailer who despises him and a Catholic mother who adores him, driven by self-doubt and an inherited need for approval from his childhood, he has worked throughout his fifty-year career to break the image of the pretty boy. He made his first experiences in the famous Actors Studio. The breakthrough as a screen star came in 1958 with "Cat on a Hot Tin Roof". From then on he preferred characters on the edge of the American dream. With archive images and film excerpts, the documentary paints a portrait of a socio-politically committed man with many facets and also pays tribute to the role of his wife Joanne Woodward.

Fifty years later, and he's still rattlin' the Devil's cage. Charlie Louvin can walk through a crowded mall and not attract attention. But it shouldn't be that way; the humble 83-year-old musician in the cowboy hat and jeans is a true American hero. To start, 50 years ago he and his brother recorded "Satan is Real," an album that shook up the music business. And the life he lived thereafter was pretty radical, too, from his military service to his country to his 61-year marriage to his induction into the Country Music Hall of Fame and Grand Ole Opry. On Friday, December 3, 2010 at the fooBAR in Nashville, we caught Charlie Louvin on stage, making music for his fans, celebrating the anniversary of that famous album. And we filmed the night for history's sake. This is the tribute he so richly deserves.

Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.

Catron County, New Mexico - the 'toughest county in the West' - has been at the center of a struggle between ranchers, loggers, environmentalists, and the U.S. Forest Service over the management of federal land. The only physician in the county, concerned about the health of his community, began a process of dialogue among citizens. This is a story of how health was used as a catalyst to make peace.

A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.

The story of the secret of self-creativity, the loneliness of the soul, the meridians of con-sciousness and the scope of man. Ilmārs Blumbergs (1943-2016) is a concept in life than can be classically proven if we analyze his work in set design, poster art, painting and multimedia work. The personality of Blumbergs, however is a shifting and intangible material which ensures superior value, wonderfulness and intimacy to all that he created. Those who analyze his art and world perceptions, recognize the work as seeming to come from antiquity, but it can never be catalogued or recorded in bookkeeping. How fortunate that it also cannot be consumed.

IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.