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The Club That George Built 2024 - Movies (Jan 30th)
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The Nature of Things - (Jan 30th)
The Dog House - (Jan 30th)
The Apprentice - (Jan 30th)
Tyler Perrys Sistas - (Jan 30th)
Katy Tur Reports - (Jan 30th)
Pictionary - (Jan 30th)
Chris Jansing Reports - (Jan 30th)
Andrea Mitchell Reports - (Jan 30th)
Piers Morgan Uncensored - (Jan 30th)
Brian and Maggie - (Jan 30th)
Nature - (Jan 30th)
Storyville - (Jan 30th)
Road Wars - (Jan 30th)
Perfect Match - (Jan 30th)
Family Feud Canada - (Jan 30th)
Homes Under the Hammer - (Jan 30th)
Celebrity Help My House Is Haunted - (Jan 30th)
Are We Changing Planet Earth - (Jan 30th)
Body Bizarre - (Jan 30th)
Bangers and Cash - (Jan 30th)
For the first time, the extent of the Duke of Windsor's treachery during World War II is revealed; not just sympathising with the enemy but, new evidence reveals, actively collaborating.
This is the story of how a prince became a king, a revealing portrait of our new monarch across the seven decades he spent as heir to the throne. It’s a journey from cradle to crown told almost solely in his own words, from film and television recordings to private home movies and featuring a wealth of material, some of which has never been seen before. As well as drawing on home movies from the Royal Collection, the film-makers were given exclusive access to sequences featuring the prince, shot for the landmark 1969 film Royal Family, including private unseen moments.
Kirsty Young, Huw Edwards, Sophie Raworth and Claire Balding are your guides for the historic coronation of Their Majesties King Charles III and Queen Camilla on Saturday 6 May. From her studio outside Buckingham Palace, Kirsty will be joined by guests, including friends and colleagues of the King and Queen, who will share their personal insights. Throughout the morning, a series of films will explore the King’s passions, and a broad range of experts will join Kirsty to provide analysis of this new chapter in British history. Across the capital, a team of presenters will be in key locations to report and commentate throughout the day as events unfold. As the armed forces prepare for one of the largest military parades in living memory, JJ Chalmers will speak to servicemen and women from across the UK and the Commonwealth as they arrive in London to take their positions.
Join sociologists Monique and Michel Pinçon-Charlot on their “investigation” of the French aristocracy and gentry. An entertaining and instructive movie on an exclusive and highly secretive world.
Marking the 20th anniversary of the death of Princess Diana in a car crash in Paris in August 1997, this documentary reveals how Diana learned to manipulate and control the photographers who pursued her ever since she started seeing the heir to the British throne, Prince Charles, in the early '80s. Contributions from tabloid editors, royal photographers, Diana's friends, and former Press Attaché and her royal bodyguard.
A documentary account of the five-week visit of Princess Elizabeth and the Duke of Edinburgh to Canada and the United States in the fall of 1951. Stops on the royal tour include Québec City, the National War Memorial in Ottawa, the Trenton Air Force Base in Toronto, a performance of the Royal Winnipeg Ballet in Regina and visits to Calgary and Edmonton. The royal train crosses the Rockies and makes stops in several small towns. The royal couple boards HMCS Crusader in Vancouver and watches Native dances in Thunderbird Park, Victoria. They are then welcomed to the United States by President Truman. The remainder of the journey includes visits to Montreal, the University of New Brunswick in Fredericton, a steel mill in Sydney, Nova Scotia and Portugal Cove, Newfoundland.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
A look at the Princess before the arrival of a new member of the royal family