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You're real good at kicking them when they're down, aren't you? Sly Stallone stars as an FBI Agent who turns to drink when the love of his life becomes the victim of a crazed serial killer who has been targeting cops for death. So struck by the tragedy, he is coerced into signing up for a rehab programme at a remote asylum facility, but soon it becomes clear that the serial killer is still in his midst. Famously delayed from being released for quite some time, D-Tox is like an itch on Stallone's CV that he will never be able to scratch. In truth it's quite serviceable as a formulaic thriller, but it's so derivative and, yes, dumb, it's hard to recommend with any sort of confidence. Any number of thriller films you have probably seen will spring to mind when viewing this, but in short it's like a "10 Little Indians" meets "The Thing", with a side order of "Seven" thrown in for good measure. The first half is actually well built by the makers, establishing Stallone's emotional chaos, his dive into the bottle, and then setting him up in an institution that is frighteningly monolithic in a grey and steely way. His co-patients are all troubled coppers in search of a dry run, and this also sets things up neatly for some rich characterisations, unfortunately it all descends into cliché hell and wastes what is a rather superb cast - while Stallone unfortunately shifts from a believable tortured soul into a muscle head with a gun. Cest la vie! Good moody atmosphere and some heart jolting deaths keeps the pic on the boil, but ultimately the pandering of the norm renders a promising thriller to being distinctly average. 5/10
An FBI agent "Molloy" (Sylvester Stallone) has been on the trail of a serial cop-killer for two years and nine murders later, still can't pin him down. The murderer decides to turn the tables on his pursuer by killing not only his close colleague but also his fiancée - and this drives "Molloy" to hit the bottle big style. A fellow detective enrols him in a detox programme in a very remote centre that specialises in dealing with alcoholic cops but before he gets much chance to get better, he discovers that his nemesis has also managed to check-in and we've got a menacing cat and mouse game that sees carnage ensue... It's all a bit predictable, though perhaps Stallone has a bit more depth to his character than in many of his more testosterone driven efforts. There are a few brief scenes with Kris Kristofferson as the head of the facility trying to assist; and quite a decent cast of likely culprits all keep the pace moving along, but the dialogue is dreadful and it's very formulaic in terms of story progression - it's quite easy to guess who the criminal actually is... It's an OK watch, nowhere near as bad as many of Sly's other outings but probably deserved it's straight to video release.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!
The chilling and relentless Jigsaw killer returns to terrorize the city once again. When a gruesome murder victim emerges with unmistakable traces of Jigsaw's sinister methods, Detective Eric Matthews is thrust into a high-stakes investigation. To his surprise, apprehending Jigsaw seems almost too easy, but what he doesn't realize is that being caught is merely another piece of Jigsaw's intricate puzzle.
Police Commander Falcon is on the hunt for a serial killer. When the murderer switches clothes with a vagabond and fools the police forces he resumes his killings and goes after Falcon and his family.
After Akira Ninomiya miraculously survives a brutal attack by an unknown assailant wearing a "monster mask," he becomes fixated on finding the attacker and getting revenge.
Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
After a crippling divorce and with his taxi business starting to go under, it was the end of the road for James Archon. In light of this, James receives a mysterious call, which spirals his life into some questionable side-ventures akin to is cab service. When James meets a new interest in his life, he wants to give up this part of his life for good, however he must find a way out alive.
Starting as an old-school sleuth story, young Noreen begins investigating the suspicious circumstances surrounding her father's death, uncovering a shocking and sinister conspiracy that has been wreaking havoc in her hometown for years.
The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.
A businessman who is trying hard to be a good father to his daughter has a run-in with malevolent policeman.