Tian Soepangat: Muslim Sailor

A look at life in the Fenlands (a coastal, marshy plain in eastern England) in 1940's.

Layering real-life details with an otherworldly magic, Thanadoula recounts the story of an end-of-life doula brought to her calling through the loss of her beloved sister.

Describes the activities of the Appleby-Frodingham Steel Company in Scunthorpe, the largest unit in the United Steel group.

Film student Patrick Atallah has a problem on his hands: his graduation documentary was cancelled at the last moment, so he has just one day in a studio to make an entire, fully realised film. What’s the film going to be about now? He doesn’t know, but he’s hoping to find it along the way. To do this, he invites five of his closest friends to the studio to help him come up with some interesting ideas.

Muslim boxer, Bianca 'Bam Bam' Elmir, aims to be the first Australian to win a World Amateur Boxing Championship.

A short piece that looks at the 2012 film's ensemble cast and the strengths they brought to the project.

A look at the War on Terror and the threat it's causing to our civil liberties and political discourse. Academy Award nominee James Cromwell presents Janek Ambros' directorial debut. The feature doc tackles the War on Terror's impact on civil liberties and the strange coalition it's creating between the progressive left and libertarian right. The doc examines the NSA, drones, the war on journalism and other encroachments on civil liberties started by the Bush era and expanded by the Democratic establishment.

Produced for the "Little Nicky" Special Edition DVD.

At the crossroads of documentary and fiction, Hello Stranger relates the transition journey of a young trans woman named Cooper Josephine. With humor, the film revisits key moments of her life from her childhood in a small fishing village of the east coast of Canada to her tumultuous medical process. Through the re-enactment of her memories, Cooper Josephine attempts to make peace with the last masculine imprint on her body: that unfortunate deep voice that sticks to her skin.

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton

An intense examination of the military industrial complex, from President Eisenhower to the modern day.