Code of Trust

Cryptopia: Bitcoin, Blockchains and the Future of the Internet takes a deep dive into the crypto ecosystem and blockchain technology to discover the good, the bad and the ugly of this controversial industry, its major narratives, conflicts and the major players behind it. Can blockchain technology be used to create a new, fairer, decentralised and uncensored web3.0 where we can control our data and protect our online identities? Or will the potential be squandered as mega corporations once again compete for dominance in this new field. With his unrivalled and exclusive access, award-winning filmmaker Torsten Hoffman (Bitcoin: The End of Money as We Know It) takes us on a journey into the heart of this brave new world.

Hacktivist and blockchain expert Lauri Love fights extradition in TRUST MACHINE—his computer skills a threat to the US government. Tech innovators strike a raw nerve as banks and network pundits rush to condemn volatile cryptocurrencies and their underlying blockchain technology. Why are banks terrified while UNICEF embraces it to help refugee children? Award–winning filmmaker Alex Winter reveals that proponents of blockchain—a verified digital ledger—are already using the technology to change the world; fighting income inequality, the refugee crisis and world hunger.

If the notion of bitcoin intrigues you, yet you find yourself intimidated by the complicated techno-jargon surrounding it, then the documentary "Bitcoin: Beyond the Bubble" is for you. This incisive overview explains the intricacies of the cryptocurrency in an engrossing and easily digestible manner.

A 3 year trade war has created corporate casualties in both US and China. In China, a dual circulation model is now underway to mitigate the effects of US protectionism. In the US, a Biden administration mulls new economic measures against China, even as industry groups lobby for tariffs to be lifted. Both countries also brace for what used to be unthinkable- the possibility of a financial war.

Set two years after the drama series "Nemesis," Naoki Kazama works for Nemesis Detective Agency and is regarded as a brilliant detective. He is able to solve the most difficult of cases, but he has a secret. He is actually a lousy detective and relies on the genius skills of his assistant Anna Mikami to solve cases. Their partnership continues.

A lighthearted commentary on blockchain games and their futurity.

The film features the leaders of the Moscow Classic Ballet Theater, Natalia Kasatkina and Vladimir Vasilev, who aspire to transform their theater into an international ballet center. The film is based on a story about the personal life and creative plans of the famous ballet couple.

This is the story of how a prince became a king, a revealing portrait of our new monarch across the seven decades he spent as heir to the throne. It’s a journey from cradle to crown told almost solely in his own words, from film and television recordings to private home movies and featuring a wealth of material, some of which has never been seen before. As well as drawing on home movies from the Royal Collection, the film-makers were given exclusive access to sequences featuring the prince, shot for the landmark 1969 film Royal Family, including private unseen moments.

According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras ­ whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.