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Jason 6: Welcome To Camp Blood! An absolute hoot of a addition to the Friday 13th franchise. As is often the way with the "Friday" sequels, you can talk to one horror fan and this is the worst of the bunch, talk to another and it's the best etc etc. There's a more airy touch here and it serves the formula well, which if the series' fans are honest, is a formula that was getting stale quite early in the chain, so any sort of new ideas or direction is most welcome. After a glorious James Bond parody opens the credits sequence, accompanied by Harry Manfredini's superbly thunderous musical score, we get long running tormented character Tommy, here played by Thom Matthews, digging up Jason Voorhees' corpse so as to make sure the evil one is dead - oh and to kill him again. Enter a glorious Frankenstein homage (cheeky steal if you like) that sets us up for another round of stalk and dismember as Jason heads back to Camp Crystal Lake, which is now called Camp Forest Green! The kills are not particularly inventive, but there's a real thud of humour about much of them. From an American Express Card to a bloody smiley face imprint, it's clear the makers have a glint in their eyes. We even get an early appearance from Tony Goldwyn, some four years before Ghost would make him a known name. Adding to the quality score, which BTW rattles around home cinema speakers lie a supernatural entity, is Jon Kranhouse's cinematography, which is gorgeous in colour lens selections. All that and you get an Alice Cooper soundtrack as well. From joyful reanimation to a suitably watery finale, this part 6 delivers more than enough to almost make you rush out to rent part 7. Almost... 6.5/10
_Jason Lives_ is the _Friday the 13th_ movie that starts injecting comedy into the franchise, which after 5 movies of more or less the same tone, is understandable. Prior entires have still had fun, but _Part VI_ has multiple, actual jokes. This bugs a lot of people, but me? Not so much. It's definitely not the high point of the franchise, but I still would never skip this one during a marathon. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
***Jason lives again as a horrific zombie, plus Megan (Jennifer Cooke)*** Released in 1986, "Jason Lives: Friday the 13th Part VI" is notable for being the premiere of the zombie Jason as his rotting corpse is resurrected in the prologue indirectly through the actions of Tommy Jarvis and a friend who recently got out of a mental institution. This prologue also shows that Tommy didn't murder Pam at the end of Part V and that he was simply experiencing hallucinations from his trauma with the diabolic Voorhees spirit. Another difference with Part VI is that we finally get to see a busload of kids, children, at Crystal Lake, although they changed the name to Forest Green. Tommy runs to the local police to inform them that Jason has been resurrected but the sheriff, of course, doesn't believe him (would you?). His hot daughter, Megan, is attracted to Tommy and, when the bloody body count rises, the sheriff realizes that Jason is indeed alive. Tommy Jarvis is played by Thom Mathews rather than John Shepherd, who was excellent in Part V. Thom is a worthy replacement, but I prefer Shepherd's brooding charisma. The film features one of the best Friday girls in Megan, played by Jennifer Cooke, although Pam from the previous film is my favorite. Other than that, though, the females in Part VI are rather weak, although the redhead in the Volkswagen is notable (Nancy McLoughlin). The campiness of Part III and Part V returns for this installment, particularly with the goofy paintball warriors and the graveyard caretaker. But “Jason Lives” is noticeably superior to Part III and shares the kinetic vibe of Part V. As far as locations go, Part VI returns to the East for filming, being shot roughly 40 miles East of Atlanta in Covington & Rutledge . BOTTOM LINE: You either like the Friday the 13th series or you don't. Part VI is another retread of the same Friday formula with the entertaining spirit of Part V and the distinction of Jason now being totally inhuman, a horrific zombie; not to mention the addition of children at the camp. It also has a better story than parts III and IV with the sheriff and his daughter & Tommy going after Jason, plus Megan is one of the top Friday girls in the series. The film runs 91 minutes and the cut version 86 minutes. GRADE: B/B-
Going through the F13 franchise again, skipping Part V since I just watched an online review (and remembered not caring for it much), and this one was... odd. Went full on with the cheese which makes sense since Jason is brought back to life through the dumb ass decision by Tommy Jarvis to not only dig up the grave but stabbing the corpse with an iron post, he was just asking for trouble (and running into the sheriff's office yelling like a psycho didn't help). I did like the female lead but everyone else, including Thom Matthews, was a bit bland. **2.75/5**
Ex-safecracker Gal Dove has served his time behind bars and is blissfully retired to a Spanish villa paradise with a wife he adores. The idyll is shattered by the arrival of his nemesis Don Logan, intent on persuading Gal to return to London for one last big job.
When a prominent art dealer is found murdered, the man's death leads to an intriguing investigation steeped in sex, corruption and crime. District Attorney David Corelli gets assigned to the case and discovers that a key suspect is his ex-lover Katrina Gavin, a beautiful psychologist who has settled down with his old friend and peer. As Corelli gets deeper into the case, he uncovers dark secrets with far-reaching implications.
The ambitious young Ina Littmann is an investigative journalist for the TV talk show "Eye in Eye". Her current subject is Henry Kupfer, who wrote a bestseller about a psychopathic killer after he was himself in prison for 8 years for manslaughter. As an entry for the show Ina plans to use a current series of brutal murders among prostitutes. When Ina meets Kupfer, she is despised and fascinated at the same time. Soon she's convinced that Kupfer not only writes about murders, but commits them himself. She smells a smash hit and prepares to prove him guilty on the show.
A mysterious man arrives at the offices of an FBI agent and recounts his childhood: how his religious fanatic father received visions telling him to kill people who were in fact "demons."
A group of five led by Julie set up their filming equipment in the hotel of the derelict town of Goldfield, hoping to capture footage of the ghost of Elisabeth Walker, a maid tortured and killed in room 109. Troubled by visions, Julie discovers that a necklace, handed down to her from her grandmother, is somehow connecting her to this tragedy.
Chris Miller, living with her stepmother in a large secluded mansion, finds her isolation interrupted by the arrival of an unknown scythe-wielding killer.
The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country. At Alpine University, someone is determined to win the best film award at any cost - even if it means eliminating the competition. No one is safe and everyone is a suspect.
A seemingly innocent man is abducted by a notorious L.A. serial killer, who forces his victims to switch roles with him so that he can enact his own capture, torture and murder.
Jack is straight off the plane. He has few friends and no money. In desperation, he accepts an apartment formerly housed by the main suspect in a serial murder case - John Ellroy. Plagued by insomnia, Jack broods in the apartment and wanders the inner-city streets of Melbourne. His loneliness leads him into a friendship with a teenage addict Janie, and into a bizarre obsession with Ellroy. Jack struggles to retain his sanity as his world spirals into madness and violence.
A group of five college graduates rent a cabin in the woods and begin to fall victim to a horrifying flesh-eating virus, which attracts the unwanted attention of the homicidal locals.