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Christmas Couples Retreat 2023 - Movies (Nov 15th)
Beetlejuice Beetlejuice 2024 - Movies (Nov 14th)
OVERLORD The Sacred Kingdom 2024 - Movies (Nov 14th)
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Christmas Love and Fudge 2024 - Movies (Nov 12th)
Red Flag- Musics Failed Revolution - (Nov 15th)
After Midnight - (Nov 15th)
Alaska PD - (Nov 15th)
Dateline- The Smoking Gun - (Nov 15th)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Last American Vagabond - (Nov 15th)
Cobra Kai - (Nov 15th)
The Creep Tapes - (Nov 15th)
TNA iMPACT - (Nov 15th)
The Real Housewives of Orange County - (Nov 15th)
Crime Scene Kitchen - (Nov 15th)
The Last Word with Lawrence ODonnell - (Nov 15th)
Hells Kitchen - (Nov 15th)
Just as awful as I had anticipated. With that said, it's nothing so bad that it offended me - it's simply totally and utterly bad, to the point I kinda find it hard to hate on it because I just don't have any thoughts on it. It is, without question, undoubtedly worse than 1994's 'The Mask' in every conceivable way though. Jamie Kennedy's version of this Dark Horse Comics character is truly dreadful, especially visually, though thankfully the film doesn't actually give that much air time to Kennedy as The Mask; like, he's there but it's predominantly the dog and the son that get much of the screen time alongside Alan Cumming's Loki - to slightly better effect too, the way the kid is animated kinda nearly works... it doesn't, but almost. Ryan Reynolds, according to Kennedy himself, possibly wanted this role. It's lucky Reynolds didn't get his way, or he'd be stuck with a green ghoul in his past. Oh, wait! 4/10 is probably generous on my part, though there are far worse films out there that actually annoy me - 'Son of the Mask' honestly doesn't. It kinda just exists and I'm almost nonplussed about it.
**A film made to make money off the success of its predecessor, but which has nothing to do with it.** Anyone who saw the movie “The Mask” with Jim Carey, from 1994, cannot remain indifferent. It's one of those family comedies that marked the 90's and that strongly contributed to the meteoric rise of the comic actor's career. It was a film that, in my opinion, did not need a sequel, but that, if it came to exist, would have to have the same crew and a similar cast (that is, keeping, at least, Carey and some other actors). Unfortunately, this movie does everything it shouldn't have done. In fact, any comparison between the first movie and this crap is pointless. It is not the first time that I see that there are sequels made to profit from great successes and that have virtually no connection with the preceding films. This is just one more example. Jim Carey was right not to want to associate himself with a project that failed at the outset, not least because most of the cast that associated with the film did not manage to take advantage of it beyond the financial inflow. The film is clearly expensive and stupid. It had a high budget, which was invested in a range of CGI assets and massive and sometimes impressive visual effects, but everything else is lacking. And the film's biggest flaw couldn't be any other: the script is so amateurish and idiotic that it seems to have been written by ten-year-old children. Ideas are bad, there are a number of situations in which we feel that the public is being mocked, and our intelligence is being mocked too. Another problem with this film is the total lack of humor. The movie was supposed to be funny and make us laugh, but we couldn't find anything funny. Much of what is shown was already done – and better – in the first film, and what has been introduced as new is a series of scatological or gross jokes that, I think, could have been cut. Even children's audiences might not be very interested in seeing this, if you think about it. The cast does what they can, but they can't do much. Deep down, the actors end up being the least to blame for the fact that the film is rubbish. Alan Cumming turns out to be the best actor present and is the only one worth seeing work. He's an effective villain and his comedic streak is interesting, but totally wasted here. Bob Hoskins makes an appearance, but it is innocuous and adds nothing to the film. Jamie Kennedy is bad, he does a bad job, and surely he must be sorry he got into this movie. The rest is basically a bunch of extras, even when they have to talk.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
After seeking to live a normal life, Logan sets out to avenge the death of his girlfriend by undergoing the mutant Weapon X program and becoming Wolverine.
After capturing the good witch, the villainous King Gnome creates havoc throughout Oz as he needs Dorothy's ruby slippers to take control of the Emerald City. So, it is up to Tom and Jerry to save the land of Oz!
When eleven-year-old Mick is shipped off to his grandfather's cattle station in Western Australia, he befriends a scrappy, one-of-a-kind dog that will change his life forever.
Embarking on a whimsical adventure, Monica and her friends take center stage in four captivating tales. The first, "O Plano Infalível," showcases Jimmy Five's latest scheme to defeat Monica and her indomitable bunny companion. In "Um Amor de Ratinho," Monica attends a costume party dressed as a mouse, unaware that a small mishap would awaken a genuine mouse's affectionate feelings towards her. The third story, "A Ermitã," sees Monica bid farewell to her friends, venturing alone into the heart of the forest to live an independent life. Lastly, in "O Império Empacota," Jimmy Five's courage and true affection for Monica are unveiled when he fearlessly engages in an interplanetary battle against aliens, all in an effort to save his beloved big-toothed friend.
Kibosh, supreme ruler of all ghosts, decrees that casper must scare at least one person before Christmas Day so Casper visits Kriss, Massachusetts where he meets the Jollimore family and sets out to complete his mission. As usual, kindhearted Casper has a ghastky time trying to scare anyone; so The Ghostly Trio, fed up with his goody-boo-shoes behavior, secretly hires Casper's look-alike cousin Spooky to do the job-with hilarious results.
Maggie Diggins, a wombat turned Wonder Woman, unintentionally becomes the city's superhero after she begrudgingly saves a rookie superhero sugar glider from certain doom.
A year ago, Katrin and Max got to know and love each other with the support of the phlegmatic bass dog Kurt. Should they now match their friends and marry? At first it doesn't look promising: Katrin is fighting for a job in London and Max is constantly gone, he seems to meet other women. The help of a second Christmas dog is needed to steer fate in the right direction.
An old geezer recalls some of the antics of the men and women of his western town, more wild and woolly than Tombstone or Dodge City. In this town no one is a good shot, the women are hungry for new meat, and practical jokers abound. A stranger strolls into town, proving resistant to the mayhem, and after donning some cowboy duds begins cleaning up that town.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.