40 Days at Base Camp

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

They belong to the armed wing of the PKK, the Kurdistan Workers' Party, which is also an active guerrilla movement. The mission of these female fighters? Defend Kurdish territory in Iraq and Syria, and defeat ISIS (the armed militants of the so-called Islamic State group), all while embodying a revolutionary ideal advocating female empowerment. As filmmaker Zaynê Akyol follows their highly regimented lives, seasoned fighters like Rojen and Sozdar openly share with us their most intimate thoughts and dreams. Even as fighting against ISIS intensifies in the Middle East, these women bravely continue their battle against barbarism. Offering a window into this largely unknown world, Gulîstan, Land of Roses exposes the hidden face of this highly mediatized war: the female, feminist face of a revolutionary group united by a common vision of freedom.

Documentary about Czech filmaker Vera Chytilova.

Kaminah and Kusdalini, met as Indonesian political detainees in 1965, when both were on the cusp of adulthood. After being rejected by her hometown, Kaminah went to live with Kusdalini. Since then, they have been inseparable, living together in Surakarta, Central Java. Now, in their 70s, they survive on the kindness of their neighbours, and the crackers that they sell. Growing old hand in hand, You and I charts a delicate moment in time when the pair are faced with the heartbreaking realities of growing old.

Andrzej Bargiel and Jędrek Baranowski roam through Karakoram to create history. This movie is a journey full of passion and love for big mountain skiing told by two friends across 6,000m of descent.

Somewhere in the world right now-much closer than you think-people are playing with trains. You might not see them at first, but they're there. In basements. In garages. In converted Army barracks. They're among the world's most compelling underground communities.

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

Addresses misunderstandings of learning differences and demonstrates potential in dyslexic persons.

Forever Yours is a film about children who have been taken into custody. Through the children, their biological parents and foster parents, the film depicts love in everyday life. The film explores the invisible bond between a child and a biological parent. Even when a child is taken into custody, the yearning for closeness to the biological parents and need for their approval never seems to disappear. This longing is a form of loneliness that the foster parents struggle to overcome. The film describes the entire foster care process: a child being brought into a shelter home, a teenager’s everyday life in a foster family, and siblings preparing to return to their biological mother, after five years in a foster family.

This distinctive documentary portrait of Prague extolls the beauty, significance and spirit of the ancient city adopting modern way of life. The form and content of the film share a common underlining principle. The author doesn't simply list out the sequence of events, but rather approaches them in a broader context of their historic implications and circumstances. The content of the film covers a large period from the pagan times to these days. The facts are grouped under several general headings (paganry, the spread of Christianity, renaissance, baroq and modern times) with allusions to the modern life of Prague and Praguers that has its roots in those times.