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FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-caine-mutiny-court-martial-venice-film-festival-review-a-satisfying-farewell-to-william-friedkin/ "The Caine Mutiny Court-Martial might not be the greatest farewell for William Friedkin, but the one-location court session is one of the purest forms of cinema, boasting satisfying levels of tension as well as quick, intense dialogue elevated by exceptional performances from the entire cast, namely Kiefer Sutherland. A viewing that flies by, despite the repetitive, predictably ambiguous structure that doesn't always fit into the study of the dichotomy between "good" and "evil". Still, it remains captivating from start to finish." Rating: B-
A master filmmaker makes his last film a riveting watch filled with great performances. Lance Reddick does more with his eyes than most actors can with their whole body. I hate the poster though. Keifer's earrings are too big.
With his gangster boss on trial for murder, a mob thug known as "the Teacher" tells Annie Laird she must talk her fellow jurors into a not-guilty verdict, implying that he'll kill her son Oliver if she fails. She manages to do this, but, when it becomes clear that the mobsters might want to silence her for good, she sends Oliver abroad and tries to gather evidence of the plot against her, setting up a final showdown.
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Two young men attempt to prove they committed the perfect murder by hosting a dinner party for the family of a classmate they just strangled to death.
When a handshake deal goes sour, funeral home owner Jeremiah O'Keefe enlists charismatic, smooth-talking attorney Willie E. Gary to save his family business. Tempers flare and laughter ensues as the unlikely pair bond while exposing corporate corruption and racial injustice.
During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.