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_**Artistic production with Sean Connery and Michelle Pfeiffer, but uninteresting spy story**_ A few years before the fall of the Soviet Union, a boozy English publisher named Barley (Sean Connery) is sent a mysterious manuscript via a beautiful Russian editor named Katya (Michelle Pfeiffer), but it’s intercepted by British intelligence and Barley is coerced into going to Moscow & Leningrad to meet with Katya and the writer of the documents (Klaus Maria Brandauer), which contain technical data that calls into question the quality of the Soviet defense weaponry. Meanwhile both British and American agents (Roy Scheider, James Fox, et al.) surveil Barley’s activities. Based on John le Carre's novel, "The Russia House" (1990) is a spy drama/romance and NOT an action thriller in the mold of James Bond. Its considerable attributes include spectacular (and rare) on-location work in Russia (shot just a couple years before the fall of the USSR), Jerry Goldsmith's sumptuous jazzy score with Branford Marsalis playing soprano sax and, of course, the notable cast. The film is aesthetically pleasing and the love story is effective, especially its culmination, but the spy yarn didn’t interest me. This may because I didn’t utilize the subtitles and therefore missed a lot of the highly accented verbiage, which is a mistake when a movie is dialogue-driven, like this one. The depiction of intelligence work is presumably realistic (as opposed to 007), but static, boring, cynical and with little human decency. Next time I watch it I’ll be sure to use the subtitles. The film runs 2 hour, 3 minutes, and was shot in Moscow & Leningrad and points nearby; as well as Lisbon, Portugal (Barley’s flat); Bowen Island, British Columbia (American Intelligence 'safe house'); and London (book fair & jazz concert), as well as nearby Pinewood Studios. GRADE: C+/B-
Sean Connery at least looks like he's having some fun in this otherwise rather dry adaptation of the John Le Carré tale of Cold War espionage. He's "Barley", a publisher who is recruited by MI5 to investigate a secret document sent from the USSR purporting to itemise their nuclear arsenal. Needless to say both the British and their CIA counterparts are wetting themselves at the very thought of this being real, but that needs to be verified - and that's where they recruit "Barley". He travels to Moscow to meet the author, codenamed "Dante" (Klaus Maria Brandauer) and it's whilst there he becomes increasingly distracted by his "editor" (Michelle Pfeiffer) - a woman whom his source claims never to have met! As the plot develops, it becomes clear that strings are being pulled but also that "Barley" is beginning to think on his own, and not necessarily with his brain either. Will he stick to the plan or will he throw a spanner in the works of his Western handlers? It's a solid enough story but it's padded out far too thinly. There's no chemistry between the characters from Connery and Pfeiffer (and her ropey accent) and though there are plenty of red herrings to fuel the intrigue, that's all delivered in a remarkably sterile and disjointed fashion. Le Carré's stories always focussed on detail and this film rather skirts over that in favour of developing the burgeoning romance, and that rather neuters the sense of suspense that's also not really helped by the blandness of James Fox and Roy Scheider. It's watchable, but nobody's finest two hours.
When Continuation War started in Summer 1941, German soldiers arrived to Oulu. With their charm they conquered women and town boys. Finnish boys communicated with them on many levels: had trades, worked as interpreters, rotated business, spied on German love adventures and fought with each other about the favor of soldiers. In autumn 1944, the war was ending. Germans left Oulu by leaving behind fragile relationships, bastard kids and unfinished businesses. The most shocking of all was the faith of young Jake...
The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.
Miranda's career goes into decline, forcing her to go face-to-face with Emily, now a major executive at a luxury group, whose advertising dollars Miranda desperately needs.
Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she gives off with her peculiar appearance, she wanders through the dark path of several bohemian adults with questionable lifestyles.
An elderly Jewish man from Manchester, travels to Nazi Germany to seek the mother of a young German refugee that has attempted suicide. In Germany, Mr. Emmanuel’s efforts to seek out Hertha Rosenhein are greeted by a wall of silence from the scared Jewish community and anti-Semitic hatred from many Germans.
Events in India's history — from the Emergency and the famous Cricket World Cup win to the Punjab riots — unfold from the perspective of an innocent Sikh man Laal Singh Chaddha, a person with a low IQ but high optimism. Laal is able to achieve everything under the sun but his childhood love continues to elude him.
During the Great Depression, a young boy leaves his family's Oklahoma farm to travel with his country musician uncle who is trying out for the Grand Ole Opry.
After being kidnapped by four masked men, a teacher and her students rebel by plotting against the criminals.
Accomplished sailor Charlie St. Cloud has the adoration of his mother Claire and his little brother Sam, as well as a college scholarship that will lead him far from his sleepy Pacific Northwest hometown. But his bright future is cut short when tragedy strikes and takes his dreams with it. After high school classmate Tess returns home unexpectedly, Charlie grows torn between honoring a promise he made four years earlier and moving forward with newfound love. As he finds the courage to let go of the past for good, Charlie discovers the soul most worth saving is his own.
Sugihara, a Japanese-born, third-generation Korean teenager struggles to find a place in a society that will not accept him.