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_**Artistic production with Sean Connery and Michelle Pfeiffer, but uninteresting spy story**_ A few years before the fall of the Soviet Union, a boozy English publisher named Barley (Sean Connery) is sent a mysterious manuscript via a beautiful Russian editor named Katya (Michelle Pfeiffer), but it’s intercepted by British intelligence and Barley is coerced into going to Moscow & Leningrad to meet with Katya and the writer of the documents (Klaus Maria Brandauer), which contain technical data that calls into question the quality of the Soviet defense weaponry. Meanwhile both British and American agents (Roy Scheider, James Fox, et al.) surveil Barley’s activities. Based on John le Carre's novel, "The Russia House" (1990) is a spy drama/romance and NOT an action thriller in the mold of James Bond. Its considerable attributes include spectacular (and rare) on-location work in Russia (shot just a couple years before the fall of the USSR), Jerry Goldsmith's sumptuous jazzy score with Branford Marsalis playing soprano sax and, of course, the notable cast. The film is aesthetically pleasing and the love story is effective, especially its culmination, but the spy yarn didn’t interest me. This may because I didn’t utilize the subtitles and therefore missed a lot of the highly accented verbiage, which is a mistake when a movie is dialogue-driven, like this one. The depiction of intelligence work is presumably realistic (as opposed to 007), but static, boring, cynical and with little human decency. Next time I watch it I’ll be sure to use the subtitles. The film runs 2 hour, 3 minutes, and was shot in Moscow & Leningrad and points nearby; as well as Lisbon, Portugal (Barley’s flat); Bowen Island, British Columbia (American Intelligence 'safe house'); and London (book fair & jazz concert), as well as nearby Pinewood Studios. GRADE: C+/B-
Sean Connery at least looks like he's having some fun in this otherwise rather dry adaptation of the John Le Carré tale of Cold War espionage. He's "Barley", a publisher who is recruited by MI5 to investigate a secret document sent from the USSR purporting to itemise their nuclear arsenal. Needless to say both the British and their CIA counterparts are wetting themselves at the very thought of this being real, but that needs to be verified - and that's where they recruit "Barley". He travels to Moscow to meet the author, codenamed "Dante" (Klaus Maria Brandauer) and it's whilst there he becomes increasingly distracted by his "editor" (Michelle Pfeiffer) - a woman whom his source claims never to have met! As the plot develops, it becomes clear that strings are being pulled but also that "Barley" is beginning to think on his own, and not necessarily with his brain either. Will he stick to the plan or will he throw a spanner in the works of his Western handlers? It's a solid enough story but it's padded out far too thinly. There's no chemistry between the characters from Connery and Pfeiffer (and her ropey accent) and though there are plenty of red herrings to fuel the intrigue, that's all delivered in a remarkably sterile and disjointed fashion. Le Carré's stories always focussed on detail and this film rather skirts over that in favour of developing the burgeoning romance, and that rather neuters the sense of suspense that's also not really helped by the blandness of James Fox and Roy Scheider. It's watchable, but nobody's finest two hours.
Starting a new job as a political journalist at a leading newspaper, Ulrik Torp witnesses a brutal struggle for power in the Midparty's ranks - a struggle that coincides with the charismatic party leader's involvement in a near fatal car accident. A flurry of lies and media speculation surrounds the incident. Gradually, Ulrik unearths a ruthless conspiracy involving the incumbent prime minister.
Jakob Aasen has hired his old friend, private investigator Varg Veum, to spy on his wife Rebecca, whom he suspects of infidelity. Against his better judgement Varg accepts the job, and in an ironic twist he and Rebecca rekindle their former love. Meanwhile a serial killer is targeting members of Jacob's band and their families...
It is the last day of school for Christian and his younger sister Sophie. They are heading to a party at his friend Trina. High school graduation is just around the corner and after the freedom and future. But behind the idyllic facade lurks tragedy and secrets. That evening Sophie commits suicide.
Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn's other good friend is Mulle, a cheerful and more childish working-class boy. All three seem friends at first, but gradually Steen starts pushing Mulle away while pulling the impressionable Bjørn with him towards more and more violence.
A psychotic man opens fire in a diner, murdering numerous people before killing himself. The survivors struggle in different ways following this horrendous event: a doctor doubts his own instincts and elects to use an experimental medical procedure on his wife, while a gambler believes he's on a lucky streak. A waitress begins engaging in promiscuous sex, and a young girl whose father is among the dead gains unexpected fame.
A young boy called Pip stumbles upon a hunted criminal who threatens him and demands food. A few years later, Pip finds that he has a benefactor. Imagining that Miss Havisham, a rich lady whose adopted daughter Estella he loves, is the benefactor, Pip believes in a grand plan at the end of which he will be married to Estella. However, when the criminal from his childhood turns up one stormy night and reveals that he, Magwitch, is his benefactor, Pip finds his dreams crumbling. Although initially repulsed by his benefactor, Pip gradually becomes loyal to him and stays with him until his death.
After a disease kills 98% of America's children, the surviving 2% develop superpowers and are placed in internment camps. A 16-year-old girl escapes her camp and joins a group of other teens on the run from the government.
1920s Germany. Two sisters aged six years, no sooner see their remaining parent buried when they are torn apart. Lotte goes to live with her upper middle class Dutch aunt in Holland, Anna to work as a farm hand on her German uncle's rural farm. The World War II impacts each of their lives and finally in old age they meet again.
A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
Together with Shimada Akira (Hagiwara Masato), the last appointed governor of Okinawa during the war, Arai Taizo (Murakami Jun), the chief of police of Okinawa Prefecture, goes beyond his duties and strives to protect the lives of the citizens of the prefecture. As the ravages of war intensify, the two, who each carried a heavy cross during the Battle of Okinawa, desperately devote themselves to saving the lives of the Okinawan people, with the belief that "life is precious." A human drama, set in Okinawa at the end of World War II, depicting the preciousness of human life. Directed by Igarashi Sho of One Step on a Mine, It's All Over.
A murder opens up a bleak trail of long buried secrets and small town corruption for a worn out police detective and his squad.