Strange Country

In this drama, Lesia convinces her English-Canadian friend Sarah to perform a Ukrainian dance with her as part of their school's Christmas pageant. Sarah's father, angry at the growing number of Ukrainian settlers, won't allow his daughter to participate. Despite the prejudices of their parents, the girls' friendship remains strong, and they meet in Sarah's barn to celebrate Christmas Day together. Part of the Adventures in History series.

A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.

Pirelli Film's second promotional short, starring Uma Thurman and directed by Kathryn Bigelow.

The old man’s daughter married the foreigner and moved abroad. Only his neighbor Gienyk remembers his name. Others call him “Beard”. “Beard” feeds hens, smokes cheap cigarettes, goes fishing as an ordinary villager. But nobody, even Gienyk knows what’s on his mind. His daughter visits him while passing by. He’s not at home at that moment. When he comes back, he founds his daughter on the threshold, ready to leave. The old man sees off his daughter with sadness. And then takes the gun. Everything’s going to change in a moment… The Beard will disappear.

Carolina needs a heart transplant. Everything seems to have gone well, but Dr. García will discover that the alcoholism suffered by the patient who donated the heart has been transferred to the new patient.

Debuted at the 2022 Calgary Underground film festival and made in under 48 hours, The Box-er is about a crime boss who hires the most innocent man he can find to lose a boxing match so he can make more money.

In the Austrian Alps, father and son set out on a hike to finally climb to the top of their emotional world.

Isabel is a tragic story of a of a struggling prostitute searching for hope in the wake of a crashed economy in the seediest sections of Detroit.

Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.