Les damnés ne pleurent pas

It's a classic case of opposite attraction: Handsome Ben Bennet is a gay, affluent, stylish attorney at the top of the genteel social set in southern Virginia, while Lee Darcy is a rough-hewn welder with a secret that he nightly tries to blot out with an excess of liquor.

In 1910, Maria Chapdelaine, a young girl of seventeen, lived with her family on the banks of the Péribonka River, north of Lake Saint-Jean. The Chapdelaines work tirelessly to push the limits of the forest. In a home where even physical exhaustion cannot dampen the warmth of family life, Maria, strong and full of hope, finds herself faced with major dilemmas. Thrust into the world of adults, Maria will suddenly be forced to decide on her future as a woman.

In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.

When her son gets critically injured in a car accident, a mother discovers that there's more to his relationship with his friend than she had thought.

Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

Léto, a young trans and gay man, lives in a small, social housing apartment near Tours. During the day, he kills boredom on his phone from the ticket booth of a movie theater on its last legs. But where he's looking for feelings, he's only offered sex. So at night, he flees disillusionment by heading for the stars. The roof of his high-rise building is like his moped: a refuge, an escape. However, one morning, the parking lot of an ice rink becomes the setting for a life-changing encounter when he comes face to face with Hamza, a solitary employee with an enigmatic charm. The emotional disturbance is immediate. With all due respect to the scoundrels!