Profile

Emil Gal

Born : 6th-Jun-1898

Movie Credits

Granitsa


Released : 25th-Sep-1935

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The Club of the Big Deed

The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.
Released : 22nd-Mar-1927

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The Devil's Wheel

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.
Released : 15th-Mar-1926

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Chapayev

An account of the peasant turned mythical military hero Vasily Chapayev, charting his campaign in the Red Army during the Russian Civil War.
Released : 7th-Nov-1934

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Fragment of an Empire

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.
Released : 28th-Oct-1929

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The New Babylon

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.
Released : 1st-Jan-1929

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Sniper

During World War 1 a Russian soldier (Pyotr Sobolevsky) serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained as a skilled sniper. After the Russian revolution the soldier returns home while his commander (Boris Shlikhting) fights against the Soviet Russia. In 1930 the former soldier works on a factory and also he is the instructor in shooting club. Once the town that is near the Soviet border is attacked by foreign troops (the hostile state isn't named but the uniform of the soldiers resembles Finnish). The character meets againt with his former commander who serves in invading forces.
Released : 24th-Aug-1932

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Cain and Artem

Pavel Petrov-Bytov was an enfant terrible of the highbrow Leningrad Sovkino film factory. He was notorious for his article “We Have No Soviet Filmmaking,” in which he criticized all the achievements of the Soviet avant-garde. In spite of his beliefs and his scandalous struggle with “bourgeois” and “formalist” filmmaking, Petrov-Bytov directed an aesthetically refined work, shot entirely on set with masterful chiaroscuro lighting: a perfect example of “Soviet expressionism.” Based on a Maxim Gorky story, the plot of Cain and Artem provides a wake-up call to the Russian people to overcome alcoholism and religious factionalism, as it spotlights the (many) drunken denizens of a typical village and their disregard for the Jewish shoemaker Cain.
Released : 6th-Jun-1930

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