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Anna Pavlova

Anna Pavlovna Pavlova (born Anna Matveyevna Pavlova; 12 February [O.S. 31 January] 1881 – 23 January 1931) was a Russian prima ballerina of the late 19th and the early 20th centuries. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev. Pavlova is most recognized for her creation of the role of The Dying Swan and, with her own company, became the first ballerina to tour around the world, including performances in South America, India and Australia. Born : 12th-Feb-1881

Movie Credits

For Art's Sake: The Story of Ballets Russes

In the centenary year since the founding of the Ballets Russe, this documentary looks back at Sergei Diaghilev and the company he created, what they did and the influence they had, even a 100 years later.
Released : 12th-Dec-2009

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The Dumb Girl of Portici

Fenella, a poor Italian girl, falls in love with a Spanish nobleman, but their affair triggers a revolution and national catastrophe.
Released : 30th-Jan-1916

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The Immortal Swan

"The Immortal Swan", is a 1935 documentary tribute filmed not long after Pavlova's death that depicts the star dancing, including her most famous solo, "The Dying Swan".
Released : 26th-May-1935

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That's Dancing!

A documentary film about dancing on the screen, from it's orgins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s 50s and 60s up to the break dance and the music videos from the 80s.
Released : 18th-Jan-1985

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The Dying Swan

Anna Pavlova was recorded dancing The Dying Swan in a 1925 silent film, to which sound is often added. The short ballet has influenced interpretations of Odette in Tchaikovsky's Swan Lake, particularly during the parting of the lovers in the first lakeside scene.
Released : 25th-Aug-1925

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Anna Pavlova

In 1924 Pavlova (1881-1931) visited the Fairbanks studios, where The Thief of Bagdad was in production, and was filmed on the set in 7 short dances (not 6 as is stated on the original title, which may have been intended for a shortened version of the film). It seems unlikely that this was just an improvisational filming session: the dancer changed costumes for each of the numbers. Beautifully shot, these represent the finest record of the legendary dancer, who, alongside Nijinsky and Karsavina, astounded Paris in the first Ballets Russes season.
Released : 1st-Dec-1924

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