Profile

Peter Kubelka

Peter Kubelka (born 23 March 1934 in Vienna, Austria) is an Austrian experimental filmmaker, architect, musician, curator and lecturer. His films are primarily short experiments in linking seemingly disparate sound and images. He is best known for his 1966 avant-garde classic Unsere Afrikareise (Our Trip to Africa). Kubelka made 16mm films, mostly shorts, and is known for his 1960 film Arnulf Rainer, a "flicker film" which alternates black and clear film that is projected to create a "flicker" effect. Kubelka also designed the Anthology Film Archives custom film screening space in the 1970s in New York. The theater had highly raked (tiered) seating with a cowel over each seat and visual barriers between each seat so that the audience member was totally isolated visually from other patrons. The theater was painted black and the seating was covered in black velvet. The only light in the room between film showings came from a spotlight aimed at the screen, thus ensuring that the only light in the room came from the screen. The design is illustrative of the purist aesthetic of the Avant Garde film movement of that era. Full list of TV and Movie credits for Peter Kubelka..​ Born : 23rd-Mar-1934

Movie Credits

Cinema Austria, the first 112 Years

This historical and analytical documentary draws attention to the background of the roots of "New Austrian Cinema" and presents Austria as a film country to be taken seriously. The audience gets to see rare early works by well-known filmmakers as well as shots of landscapes that served as a source of inspiration and locations that have produced important Austrian films since the end of the 19th century.
Released : 20th-May-2020

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Restoring 'Entuziazm'

A documentary on the restoration of Dziga Vertov's Entuziazm: Simfoniya Donbassa (1931).
Released : 24th-Sep-2005

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Free Radicals: A History of Experimental Film

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.
Released : 24th-Jul-2011

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Home Movies 1971-81

Home movies shot on Super 8mm by W+B Hein over 10 years.
Released : 1st-Jan-1985

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Four Shadows

Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.
Released : 3rd-Oct-1978

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365 Day Project

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
Released : 31st-Dec-2007

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Reminiscences of a Journey to Lithuania

A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.
Released : 30th-Aug-1996

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As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Released : 5th-Nov-2000

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He Stands in a Desert Counting the Seconds of His Life

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
Released : 22nd-Feb-1986

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Notes on Marie Menken

A look at avant-garde filmmaker Marie Menken.
Released : 20th-Apr-2006

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Birth of a Nation

Filmmaker Jonas Mekas films 160 underground film people over four decades.
Released : 6th-Aug-1997

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23rd Psalm Branch: Part II

The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.
Released : 27th-Jan-1967

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Fragments of Kubelka

This epic documentary subtly introduces the complex worldview of iconic filmmaker and theoretician Peter Kubelka (born 1934, Vienna). While Kubelka’s radical and pioneering body of films is a highly condensed work of about an hour, focusing on the essence of cinema, his legendary lectures often unfold over many hours. These lectures on “what is cinema” and “cooking as an art form” are frequently illuminated by presentation of archaeological artefacts from Kubelka’s eclectic collection. He considers his ongoing collecting to be an expanded film practice which explores the evolution of humanity.
 Martina Kudláček has carefully woven an open-ended portrait which goes beyond the biographical to reveal fresh insights into the phenomenon of film.
Released : 29th-Jan-2012

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Peter Kubelka at the Library of Congress

An historic event: Peter Kubelka gives a lecture at the Library of Congress.
Released : 1st-Jan-1993

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Cinématon

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Released : 20th-Dec-1978

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Scenes from the Life of Hermann Nitsch

A casual, personal portrait of Hermann Nitsch, made with footage I took over the many years of our friendship. Footage includes early performances in New York, images of Hermann shortly after the acquisition of the Prinzendorf monastery, which since has become his main space of activity. You also see Hermann with his Vienna, New York, and Napoli friends, Peter Kubelka, Raimund Abraham, Gunther Brus, George Maciunas, Giuseppe Morra, and others.
Released : 31st-Dec-2005

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Paradise Not Yet Lost

The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.
Released : 3rd-Jul-1979

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Diaries, Notes, and Sketches

An epic portrait of the New York avant-garde art scene of the 60s.
Released : 23rd-Nov-2013

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Tapes

The tapes in the program consist of some of Mekas’ earliest cassettes from the 1990s not long after he first began working with video as well as more recent mini-DV tapes from 2010s. The contents of the tapes have not been previously seen in their entirety. The footage provides rare insight into aspects of Mekas’ video-making practice, as well as his activities, thoughts, dreams, and concerns, especially during the later years of his life.
Released : 14th-Sep-2020

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Cinématon XXX

Reel 30 of Gérard Courant’s on-going Cinematon series.
Released : 4th-Apr-1984

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What Is Happening? Art in the Life of Gertie Fröhlich

n 2018, director Marieli Fröhlich initiated a documentary about her mother, the artist Gertie Fröhlich. The director interviews over 20 artists, friends, and former collaborators whose recollections unveil the themes and the controversy surrounding Gertie Fröhlich‘s status as an artist, uncovering her influence on the Post-War Vienna Avant-Garde starting in her early 20s. As the film unfolds, these contradictions come to a head: Is the existence of the most important Austrian post-war gallery, Galerie nächst St. Stephan, indebted to Gertie Fröhlich, or was she merely the good spirit and secretary? Was her retelling of Greek myths an analogy for her vision of a refreshed matriarchal psyche — a position of equal significance to manifestations and deterritorialization of the body by Austria’s feminist artists? - New Jersey Film Festival
Released : 20th-Sep-2024

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EXPRMNTL

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…
Released : 8th-Oct-2016

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